Ariana Grande Looks Unrecognizable as She Embraces Her Natural Curly Hair and Her Fans Love It

Table Of Content

• “Quit” (Cashmere Cat feat. Ariana Grande, 9,
• Doja Cat Bares All in See-Through Swimsuit
• Victoria Justice Shimmers in Sequins at Latin American Music Awards in Dazzling Cutout Dress
• Most Popular
• Ariana Grande's Natural Hair: Here's What Her Real Curly Hair Looks Like
• “Break Up With Your Girlfriend, I’m Bored” (Thank U, Next,

Ariana even wrote a song about her hair on her album, "Positions". "It brings me so much joy, honestly," she admitted to Byrdie Magazine. "Every time I put my hair up, it's like a surprise. Like, I forget how much I love it, and then I tie it back and I'm like, 'I love this look! Ooh, girl!' Every time I tie it up is like the first time. It's like true love." “U are a gift @bettyinacherry thank u,” the star captioned the video where she appeared to thank her freelance nail artist friend for sending over the pack of press-on nails.

“Quit” (Cashmere Cat feat. Ariana Grande, 9,

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Previously she was Shopping Writer at woman&home and gained an AOP awards nomination after working on their news team. She earned an MA in Magazine Journalism from City, University of London in 2017 and has since worked with a number of brands including, Women's Health, Stylist and Goodto. Other celebrities in the music industry also gave their love to Grande. Katy Perry, who recently showed off a makeup-free quarantine selfie of her own, commented, "Here for this covid curl," under Grande's picture on Instagram. Rapper Lil Nas X wrote, "Beautiful." And the R&B duo Chloe X Halle praised Grande and commented, "So beautiful." Yesterday Ari took to Instagram to share her (glowing) review of new movie In the Heights, and for the occasion she seems to have ditched the hair pieces and stuck to a cute low chignon or ponytail.

Doja Cat Bares All in See-Through Swimsuit

Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from juicy celebrity news to compelling human interest stories. “Get a load a dis,” she captioned the shot on Twitter, which showed her waves effortlessly tossed back and cascading behind her — plus curly bangs brushing her forehead. We may never know, seeing as she rarely wears it curly in public, but the snap of her beautiful tousled tresses had everyone wanting to see more. Fans applaud Grande whenever she lets her natural curls show in so much as an Instagram Story, so to see them on the cover of Vogue is, to put it lightly, a big deal.

Victoria Justice Shimmers in Sequins at Latin American Music Awards in Dazzling Cutout Dress

The singer has given fans the occasional glimpse at her natural curls, like in a throwback photo in February and on the August cover of Vogue, but it's still rare enough to get admirers excited to see her real ringlets. Ariana Grande has changed up her hair countless times over the years, but one style we rarely see the star sporting is her natural, untouched bouncy curls. But after the “Thank U, Next” singer shared an adorable throwback of young Ari with her beautiful curly hair, fans started asking when they would see her rock the look again. As much of the U.S. remains in quarantine, many people are taking a break from the curling, straightening, and general styling of their hair because who's going to see it? All of Instagram, if you're Ariana Grande, because she'd like them to. The singer ditched her signature high ponytail and extensions and posted a selfie where she showed off her naturally curly hair to her millions of followers on the platform.

Most Popular

Although we can’t help but notice that the star still loves her go-to high ponytail, but at least she isn’t afraid to switch up her lengths every now and again, too. Last year the singer teamed her long hair with a front fringe and she even debuted a Daenerys Targaryen-like hair transformation only a few months ago. The star previously explained that she also experienced damage when she bleached and colored it bright red for her Nickelodeon show Sam & Cat. She also showed off her hair without extensions in February 2019 when she explained to fans that she’d been trying to grow it out after damaging it from bleaching it platinum blonde. We have no doubt Liu has already given this great advice to Grande if she's been thinking of taking more than a momentary break from her stick-straight signature style. Whether or not we get more of those gorgeous natural curls soon, we'll just have to wait and see.

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She sported lovely flowing spirals back in 2008 when she made her breakout debut in the Broadway musical “13." However, there’s no single quality that makes an Ariana song great. With this list, Billboard attempts to encapsulate both Grande’s rapid personal growth and artistic evolution since 2012, while giving equal consideration to each album and era.

Occasionally Ari will treat fans to a bare-faced, stripped-back selfie with a filter and her voluminous ringlets are then seen in their full glory. As for how Ariana nursed her long hair back to healthy, the singer revealed all to Allure recently, and it involves two ingredients you may already be familiar with. Cosmopolitan participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. Grande has been open about her hair journey since she rose to fame playing Cat Valentine on Nickelodeon's "Victorious," which lasted from 2010 to 2013. Grande’s under-the-radar wedding back in 2021 was truly one of her most glamorous moments, with a sharp wing, neutral lips, and an ultra-sleek half-up pony that feels fresh (yet doesn’t stray too far from her comfort zone).

Throughout her 2019 Sweetener World Tour (which celebrated both ‘Sweetener’ and ‘Thank U, Next’ albums), Grande experimented with her signature ponytail — sometimes opting for some very ‘90s crimped strands. Early on in her pop star career back in 2015, Grande was a fan of an ultra-high ballerina bun. Ari's curls aren't the only big reveal from her time social distancing.

In her dreamy, galaxy-inspired r.e.m. beauty shoot in June of 2022, Grande went for a shorter brunette cut with some face-framing curtain bangs. The 'Rachel', Princess Diana's pixie crop, Gisele's caramel lengths, Grace Jones' buzzcut... There have been millions of different, iconic hairstyles over the years, but the one that defines the noughties? This is still exactly what i look like without lashes and my pony ….. The only difference now is that hand now says bbq grill finger,” the pop powerhouse tweeted.

"Natural curls coming in strong with a little tlc," Liu writes in the caption. Every time Ariana Grande switches up her hair, approximately 159 million people lose their minds. The pop star is famous for, in no particular order, her ponytail, her open discussions of mental health and trauma, and being the first artist since the Beatles to hold at once the top three most popular Billboard songs in the country. She discusses all of the above in a new Vogue cover story and photo shoot. Ariana Grande showed off her naturally curly hair in a new photo shared on social media on Monday.

Grande’s fans agreed with her mom and immediately flooded Instagram and Twitter to share how obsessed they are with seeing her natural hair texture. From the sound of it, Grande may be treating and preparing her curls for more public consumption. Liu couldn't confirm that, but he did share some great advice on how anyone who usually styles their hair straight can give their natural curls a healthy comeback. Ariana Grande may be one of the biggest pop stars out there today, but she didn't immediately come into stardom.

The singer once again showed off her natural hair in a video shared on her Instagram story in November. In February 2019, she shared a video of her curly hair, which was short in length at the time. Soon after her debut album as a solo artist, the vocalist and actor would adopt a ponytail as her signature look. Her famous pony has since taken on a life of its own, with seriously XXL lengths, textured crimps, baby braids, and Barbie-inspired iterations taking fans through all of the unique moments in her life (and discography). Grande previously showed off her hair sans extensions in February when she explained to fans that she’d been trying to grow it out after damaging it from bleaching it platinum blonde. Ariana Grande just gave fans a rare glimpse of her natural curly hair.

When all is said and done, there’s no better time than now to look back on her formidable catalogue. Ariana spent the next three years largely out of the spotlight, preparing for and filming her dream role as Glinda in the upcoming Wicked film adaptations. With no intentions of recording a new album until after production ended, her presence in pop was sorely missed.

Fans of Ariana will already know that she has a complicated relationship with her hair. The 26-year-old may be known for her signature ponytail now but in 2014, she had to release a statement on social media after she received so much flack over it. Though it hasn’t always been easy for Grande to wear her hair natural because, like when she dyed it platinum, the star also experienced damage when she bleached and colored it bright red for her Nickelodeon show Sam & Cat. The “7 Rings” singer posted a brief video snippet on Twitter without any extensions in her hair. Grande wore her down to show the real length — falling right above her shoulders — along with her flowing curls and shaggy bangs.

For years, the "thank u, next" singer's signature style has been a long, sleek ponytail. Josh Liu, her hairstylist on the Sweetener tour, just posted another photo of Ariana au naturale and her curls are thriving. And, it seems like Ariana has been actively working to bring them back to life underneath her ponytail. "Natural curls coming in strong with a little tlc 🖤," he captioned the post. Grande shared a photo of herself at five years old with shoulder-length hair in ringlets and curly bangs. "This is still exactly what I look like without lashes and my pony," she wrote.

After originally falling in love with theater as a kid, Grande got her big break in a production of "13" that ran from 2008 to 2009 (per IDBd). Social distancing has caused Grande, among other celebs, to take beauty treatments into her own hands. Earlier this week, the pop star — who’s known for maintaining perfectly manicured extra-long almond-shaped nails — gave herself an at-home manicure. "your natural hair/curls is a world of its own... a magnificent beauty you are inside and out/ made up or natural ... I love you..." she said.

Layered Haircuts and Tips for Curly Hair

Table Of Content

• Collarbone Wavy Hairstyle with Bangs
• #23: Retro Shag with Curtain Bangs
• Brie Larson's Angled Bob
• Know Your Curl Pattern
• Stacks and Angles and Planes, Oh My! 12 Graduated Bob Hairstyles You’ll Love
• Hairstyles for Curly Hair That Are Simple and Chic
• Short Layered Bob On Dented Curls

Some face shapes fit well with short curls while others are best with long curly hair. This cutting technique is about maintaining your length while creating volume, shape, and body. I recommend you try to find a stylist who is certified in doing the Rezo haircutting technique. One benefit is the Rezo technique is performed on dry hair. That way, the stylist can see your curl pattern better and will be able to maintain your length.

Collarbone Wavy Hairstyle with Bangs

I also recommend letting it air dry so you don’t cause extra damage to your hair. If your hair is curly and you want a stylish layered cut, side-parted curls are the perfect option. This look works best with thick textured kinky strands that need more definition. Try Design Essentials Coconut & Monoi Deep Moisture Milk Souffle to nourish.

#23: Retro Shag with Curtain Bangs

Embrace the kinky hair with an iconic waist-length layered cut. Waist-length hair is a true sign of patience and the best way to show it off is to embrace the kinky hair texture and rock big volume. The tighter the curl pattern of the hair, the bigger the volume so it’s important to add layers in the cut to reduce bulk and weight which drag the curls down. Styling razors or thinning shears and curls aren’t the best of friends.

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Brie Larson's Angled Bob

Product cocktailing was essentially designed for the curly-haired community. If you can’t wait for your hair to grow longer, this layered curly bob is for you. This is a curled hairstyle that adds volume to your short hair. It also accentuates the neck giving a soft but sensual look. If you don’t have naturally curly hair, that doesn’t mean you have to miss out on all of the layered curly hair fun!

People with Type 4A hair have dense, springy, S-pattern coils that are about the same circumference as a crochet needle. If this sounds like you, look to Yara Shahidi and Megan Thee Stallion's texture here for reference. When doing so, Matais-Bernard recommends “keeping your detangling brush and sectioning clips handy” for extra ease. This styling method should be done more frequently to keep this coily texture soft and pliable.

"Your curl type is determined by the shape of the follicle that your hair grows out of from your scalp," says hairstylist Vernon François. It's a lot to think about, sure, but we tapped three industry curl experts to break down some of the finer points of the typing categories. Whether you've got soft bends cascading down your back or tight coils blossoming towards the heavens, there's an easy way to identify exactly what's going on up top. Follow our easy tip sheet below (complete with recommendations for the best products for your curl type) so you can be well on your way to becoming a curl-typing pro. Before hair dries completely, work a bit of mousse through your shaggy strands. Scrunch to enhance your hair’s natural shape, then let your locks dry the rest of the way.

Stacks and Angles and Planes, Oh My! 12 Graduated Bob Hairstyles You’ll Love

For beautiful-looking curls, don’t use heat on your hair every day. After hopping out of the shower, allow your hair to start air drying. Before you can begin to blow-dry your hair, it’s important to provide your hair with a line of defense against the heat.

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The barely perceptible A-line angle and light shaping in the back make this bob both simple and youthful. Susan Sarandon rocks a timeless look with her finely layered and textured shoulder-length hairstyle. It is one of the best curly hairstyles for women with medium-length hair. This well-crafted hairstyle requires little to no maintenance and stands out with its classic yet unique look. Put the finishing touches with thin bangs, and you got yourself a showstopper. Layers are a timeless fashion trend offering versatility and panache.

Short Layered Bob On Dented Curls

Layers and loose beachy curls are a great way to brighten your look year-round with the addition of highlights or balayage. Beautifully defined layered coils give depth, definition, and volume by getting rid of excess bulk. Those perfectly formed coils bounce back to make an effortless, lighter-than-air look that flawlessly frames the face.

The blunt cut is always in style, and it involves a straight-edge cut across the bottom of your strands—making for hair that’s all one length. For this reason, this cut is best for those with loose curls or waves. This feathered take on the lob includes wispy layers that are perfect for showing off loose waves. If your hair is more wavy than curly, this is still an option worth considering—especially if your hair is on the thinner side.

This type of haircut lets the curls move and volumizes them without adding a ton of extra weight, making them seem more vibrant and alive. On the other hand, adding lots of layers to loose waves will probably create a poofy look. If you’re anything like me, you’re probably extremely against the idea of letting go of your long tresses. Do you like your hair looking like they naturally grew out that way?

Pick a mouse or curl cream and work through very damp hair before frizz gets a chance to develop. These glossy, dark brown natural curls are locks you can get lost in. A lot of layers help give this amount of hair shape and movement. To achieve this high shine add a clear gloss treatment to your next haircut appointment or finish your curly style with a shine serum. Unlike the precision lines of a traditional bob, the softer box bob feels like a natural choice for curly hair thanks to its choppier, texturised shape. The cut also takes some of the weight out of the hair which means if you have particularly thick strands, you'll be left with more movement and less volume at the roots.

First, get shoulder grazing layers cut into your big spiral curls. Then, finish off your cutesy look by cutting some of your front curls into bangs that end right at your brows. Bantu knots are an amazing protective style for natural hair. Not only is this style super chic, but it's also healthy for your curls.

Top 57 Layered Curly Hair Ideas for 2024

Table Of Content

• Chic Curly Neck-Length Layered Haircut
• What products should I use on my layered hair?
• CURLY HAIRCUT IDEA #8: lob
• Natural Long Curls with Highlights
• #20: Extra Long Thick Curls with Layers
• Layered Super Long Bob On Kinky Curls

When it comes to hair color, the sky’s the limit nowadays, so your only dilemma is going to be picking one. If using a blow dryer, use the lowest heat setting with a diffuser to prevent damage and maintain the curl pattern without entering planet frizz. Just remember that the combination of lightened hair and curls is prone to becoming dry and damaged. Small ringlets are always great for styling different looks. Whichever style you choose, you’re guaranteed to have photo-ready tresses.

Chic Curly Neck-Length Layered Haircut

It will keep your hair hydrated, frizz-free, and looking vibrant. Scrunch your hair with your hands to ensure your curls hold their shape. Another type of layered cut that’s super flattering on curly hair is a medium-length, stacked cut. Stacked layers are just what they sound like—layers that are stacked vertically on top of one another. Well, they work to pump up the volume at the back of the head while also creating definition around the face.

What products should I use on my layered hair?

Those with super-tight coils that are eyeing an afro cut might consider also adding layers into the mix, which can help break up the bulk of the volume. Keep a lob from falling flat by cutting a bunch of long layers that start at the jawline and gradually thin out towards the ends. Lightly curl random sections around your head, raking through the curls while they're still warm, to add even more body and definition. Cutting your curls may seem scary, but I promise you, curly bangs will not be a mistake. Fox's wavy brunette situation can easily be achieved with a medium barrel curling iron. Patiently curl your hair piece-by-piece and maintain the length by cutting layers past the shoulders.

CURLY HAIRCUT IDEA #8: lob

When you buy something through our retail links, we may earn an affiliate commission. Quench your curls while you wash using the L’Oréal Paris EverCurl HydraCharge Shampoo and the L’Oréal Paris EverCurl HydraCharge Conditioner. If you're looking for a fun way to jazz up a simple bob, take Lipa's asymmetrical layers as inspo to experiment with length. Layers needn't hit you in the face—in fact, they should do just the opposite. Here, Kaling's layers drift gently away from the face to shape your look. Long in the front, short in the back, and razored up and in throughout.

Middle parting allows you to spread evenly the volume of your curls on both sides, which will work mostly for thick-haired women. Upgrade this layered curly cut with golden highlights to complement the texture of your tight spirals. You will never look out of style with your gorgeous bouncy natural curls. Having layers is one of the best ways to bring body, movement, and life to your curly strands.

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Long Hair With Layers: All The Long Layered Hair Inspiration You'll Need.

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Natural Long Curls with Highlights

Can you believe the hands of a stylist never touched these delightful locks? Rather it’s the result of the sea breeze that shaped them into fantastic natural waves and the generous sun that charged them with exquisite brightness. When you've got piece-y layers like Miller's, achieving this adorable, wispy style is as simple as wrapping hair lightly around a straightening iron for subtle waves. Thicker hair plus longer layers makes for the perfect opportunity to curl them out in cascading mermaid waves. Dip your toe in the water with a few long layers like Paltrow.

Just grab your favorite hair curler, and create some strikingly glam curls for your next big night out. If your layered curly hair seems to fall a little on the flat side when it’s parted in the middle, give it some volume by switching up your part. It might be challenging to take care of long curly hair, but we know how to make things easier.

This simple style is almost completely effortless to create, and the result is a chic and playful hairstyle that will never get old. If traditional, romantic layers aren’t your thing, go for a more dramatic look. Steep layers are just the thing to break up volume on tight spirals, but also work for looser waves. Use the L’Oréal Paris Elvive Extraordinary Oil Curls Shampoo and the L’Oréal Paris Elvive Extraordinary Oil Curls Conditioner. For an added dose of hydration, use the L’Oréal Paris Elvive Extraordinary Oil Curls Re-Nourish Mask in place of conditioner once or twice a week.

Layered Super Long Bob On Kinky Curls

Particularly for those with thin hair since it creates an illusion of thicker, fuller curls. Ask your stylist to shape your curls according to which suits you best. Layered hair with curls for women over 50 is the perfect way to create a full, voluminous style.

Washington has the ability to pull off just about any style, and this shoulder-length staple is no different. Play around with the length of your lob by cutting a few angled layers. Change up your part to shorten where the front pieces fall.

Jazz up a classic blunt bob with a bright hair color, like Rancic's sunny blonde shade, and lots and lots of layers for added texture. Add a little personality to your shoulder-length style by playing ever-so-slightly with the length of each strand. This look is especially great for thin or medium hair types searching for texture. Because the goal of layers is to create more volume, it’s helpful to add a volumizing product to your hair care routine. Are you looking to reduce the amount of time you spend caring for your curls?

And as someone with textured hair myself, I was keen to understand what the best bob hairstyles are for curly hair. A voluminous long layered curly hairstyle is a great way to bring life back into sun-kissed natural curls. For example, for big volume, a long side-parted hairstyle is great for defined waves and curls with maximum volume with minimum effort. To release weight from the bottom of long curly kinked hair, try layering the curls and adding a thick curly fringe.

Education Frank Lloyd Wright's Hollyhock House, Los Angeles

Table Of Content

• HOLLYHOCK HOUSE
• Places to Stay in Los Angeles
• Hollyhock House added to World Heritage List
• Frank Lloyd Wright's Hollyhock House: The Story of an LA Icon
• Los Angeles’s UNESCO World Heritage Site
• The Barnsdall Library

In 2007, the City and Project Restore, a public-private partnership, began planning a project to address structural needs and restoration. In 2010, the project team began four years of work to repair and prevent water damage, seismically strengthen the house, restore historic elements, and reverse past alterations. Built between 1919 and 1921, Hollyhock House was the first Los Angeles commission for the legendary architect Frank Lloyd Wright.

HOLLYHOCK HOUSE

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100 years after Frank Lloyd Wright finished construction on Aline Barnsdall’s Residence A guest house, the City of Los Angeles has concluded phase I restoration of this landmark structure. The first video provides an overview from the project team, discussing the home’s significance, what’s been done in phase I, and what work is still to come. Barnsdall bought Olive Hill in 1919 from the widow of the man who had planted the olive trees. Wright eventually came up with grand plans that suited Barnsdall's theatricality, although she and her daughter never lived in the house that Wright built.

Places to Stay in Los Angeles

A passionate supporter of the arts, she was a stage producer—earning critical acclaim for her avante-garde productions for children and adults alike in Chicago, New York, and Los Angeles (while awaiting a Wright-designed theater that never came). In 1919, she purchased Olive Hill, a 36-acre mount on Hollywood’s eastern edge and far north of downtown Los Angeles. With the site secured, the commission grew to include plans for the theater, a cinema, artist residences, commercial shops, two guest houses, and a residence for Barnsdall.

Hollyhock House added to World Heritage List

He designed it for Aline Barnsdall, a wealthy iconoclast and patron of the arts (learn more about her here). Barnsdall envisioned the house as the centerpiece of an artists’ colony on Olive Hill in the neighborhood of Los Feliz. Hollyhock House was designed by America’s most important 20th-century architect, Frank Lloyd Wright. Aline Barnsdall was also a philanthropist and in 1927 gave the house and the surrounding twelve acres atop Olive Hill (now Barnsdall Park) to the City of Los Angeles as a memorial to her father Theodore. With project delays and cost overruns, he then left the project only partially realized. Within a few years, Barnsdall began to consider gifting the house and surrounding parklands to the City of Los Angeles.

Frank Lloyd Wright's Hollyhock House: The Story of an LA Icon

Oil heiress Aline Barnsdall commissioned the house as the centerpiece of a cultural arts complex on Olive Hill, which was to include a major theatre, cinema, artist residences, and commercial shops. For Hollyhock House, her personal residence, Barnsdall asked Wright to incorporate her favorite flower, the hollyhock, into the design. In 1927, Barnsdall donated the house and the surrounding 12 acres (now Barnsdall Park) to the City of Los Angeles. Today, Hollyhock House is owned and operated by the Department of Cultural Affairs (DCA). Yet it was renovated several times, had long suffered from water intrusion, and was damaged in the 1994 Northridge earthquake.

Water is meant to flow from a pool in the courtyard through a tunnel to this inside moat, and out again to a fountain. Disillusioned by the costs of construction and maintenance, Barnsdall donated the house to the city of Los Angeles in 1927[8] under the stipulation that a fifteen-year lease be given to the California Art Club for its headquarters. The club was there until 1942 when the house was almost demolished.[9] The house has been used as an art gallery and as a United Service Organizations (USO) facility over the years. Beginning in 1974, the city sponsored a series of restorations, but the structure was damaged in the 1994 Northridge earthquake.

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She never questioned the beauty or significance of Wright’s work on Olive Hill, but with early leaks and no theater to speak of, the house had lost its luster for Barnsdall. She did, however, reengage with Wright on numerous occasions after 1921, enlisting him to design a school house for the property as well as preliminary plans for another residence in Beverly Hills; neither were realized. In 1915, Aline Barnsdall, an oil heiress, first approached Frank Lloyd Wright not to build a house but a theater.

For Hollyhock House, Barnsdall asked Wright to incorporate her favorite flower, the hollyhock, into the home’s design. As with many of Wright's residences, Hollyhock House has an "introverted" exterior with windows that seem hidden from the outside, and is not easy to decode from the outside. The house is arranged around a central courtyard with one side open to form a kind of theatrical stage (never used as such), and a complex system of split levels, steps and roof terraces around that courtyard.

An Insider’s Tour of Frank Lloyd Wright’s Hollyhock House

Barnsdall Art Park on Olive Hill in Hollywood, California is now owned and run by the City of Los Angeles. The City of Los Angeles is home to many architectural treasures, none more intriguing than Hollyhock House. The Department of Cultural Affairs manages this and four other entities in Barnsdall Art Park, but the focus of this photo journey is on Hollyhock House. Built between 1919 and 1921, the house realized by Wright for Louise Aline Barnsdall is an architectural experiment among landscaped gardens, hardscaped pools, and galleries of art on Olive Hill.

Digital Resources Frank Lloyd Wright's Hollyhock House, Los Angeles

Table Of Content

• HOLLYHOCK HOUSE
• Who was Aline Barnsdall?
• Hollyhock House added to World Heritage List
• Friends of Hollyhock House (FOHH)
• A Brief Tour of the Hollyhock House
• The Barnsdall Dining Room

In 2007, the City and Project Restore, a public-private partnership, began planning a project to address structural needs and restoration. In 2010, the project team began four years of work to repair and prevent water damage, seismically strengthen the house, restore historic elements, and reverse past alterations. Built between 1919 and 1921, Hollyhock House was the first Los Angeles commission for the legendary architect Frank Lloyd Wright.

HOLLYHOCK HOUSE

Oil heiress Aline Barnsdall commissioned the house as the centerpiece of a cultural arts complex on Olive Hill, which was to include a major theatre, cinema, artist residences, and commercial shops. For Hollyhock House, her personal residence, Barnsdall asked Wright to incorporate her favorite flower, the hollyhock, into the design. In 1927, Barnsdall donated the house and the surrounding 12 acres (now Barnsdall Park) to the City of Los Angeles. Today, Hollyhock House is owned and operated by the Department of Cultural Affairs (DCA). Yet it was renovated several times, had long suffered from water intrusion, and was damaged in the 1994 Northridge earthquake.

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The Gardens and Landscapes of Frank Lloyd Wright.

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Who was Aline Barnsdall?

A passionate supporter of the arts, she was a stage producer—earning critical acclaim for her avante-garde productions for children and adults alike in Chicago, New York, and Los Angeles (while awaiting a Wright-designed theater that never came). In 1919, she purchased Olive Hill, a 36-acre mount on Hollywood’s eastern edge and far north of downtown Los Angeles. With the site secured, the commission grew to include plans for the theater, a cinema, artist residences, commercial shops, two guest houses, and a residence for Barnsdall.

Hollyhock House added to World Heritage List

Frank Lloyd Wright's Hollyhock House unites fire, earth, air, water - KCRW

Frank Lloyd Wright's Hollyhock House unites fire, earth, air, water.

Posted: Thu, 04 Aug 2022 07:00:00 GMT [source]

He designed it for Aline Barnsdall, a wealthy iconoclast and patron of the arts (learn more about her here). Barnsdall envisioned the house as the centerpiece of an artists’ colony on Olive Hill in the neighborhood of Los Feliz. Hollyhock House was designed by America’s most important 20th-century architect, Frank Lloyd Wright. Aline Barnsdall was also a philanthropist and in 1927 gave the house and the surrounding twelve acres atop Olive Hill (now Barnsdall Park) to the City of Los Angeles as a memorial to her father Theodore. With project delays and cost overruns, he then left the project only partially realized. Within a few years, Barnsdall began to consider gifting the house and surrounding parklands to the City of Los Angeles.

Friends of Hollyhock House (FOHH)

She never questioned the beauty or significance of Wright’s work on Olive Hill, but with early leaks and no theater to speak of, the house had lost its luster for Barnsdall. She did, however, reengage with Wright on numerous occasions after 1921, enlisting him to design a school house for the property as well as preliminary plans for another residence in Beverly Hills; neither were realized. In 1915, Aline Barnsdall, an oil heiress, first approached Frank Lloyd Wright not to build a house but a theater.

A Brief Tour of the Hollyhock House

100 years after Frank Lloyd Wright finished construction on Aline Barnsdall’s Residence A guest house, the City of Los Angeles has concluded phase I restoration of this landmark structure. The first video provides an overview from the project team, discussing the home’s significance, what’s been done in phase I, and what work is still to come. Barnsdall bought Olive Hill in 1919 from the widow of the man who had planted the olive trees. Wright eventually came up with grand plans that suited Barnsdall's theatricality, although she and her daughter never lived in the house that Wright built.

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For Hollyhock House, Barnsdall asked Wright to incorporate her favorite flower, the hollyhock, into the home’s design. As with many of Wright's residences, Hollyhock House has an "introverted" exterior with windows that seem hidden from the outside, and is not easy to decode from the outside. The house is arranged around a central courtyard with one side open to form a kind of theatrical stage (never used as such), and a complex system of split levels, steps and roof terraces around that courtyard.

Barnsdall Art Park on Olive Hill in Hollywood, California is now owned and run by the City of Los Angeles. The City of Los Angeles is home to many architectural treasures, none more intriguing than Hollyhock House. The Department of Cultural Affairs manages this and four other entities in Barnsdall Art Park, but the focus of this photo journey is on Hollyhock House. Built between 1919 and 1921, the house realized by Wright for Louise Aline Barnsdall is an architectural experiment among landscaped gardens, hardscaped pools, and galleries of art on Olive Hill.

Water is meant to flow from a pool in the courtyard through a tunnel to this inside moat, and out again to a fountain. Disillusioned by the costs of construction and maintenance, Barnsdall donated the house to the city of Los Angeles in 1927[8] under the stipulation that a fifteen-year lease be given to the California Art Club for its headquarters. The club was there until 1942 when the house was almost demolished.[9] The house has been used as an art gallery and as a United Service Organizations (USO) facility over the years. Beginning in 1974, the city sponsored a series of restorations, but the structure was damaged in the 1994 Northridge earthquake.

A Philosophy of Software Design: My Take and a Book Review The Pragmatic Engineer

Table Of Content

• iv. All the comments I have seen are worthless
• Leave a comment Cancel reply
• Chapter 19 — Software Trends
• Agile does not encourage strategic programming
• Pull Complexity Downwards
• Pass-through variables
• Large-scale programming styles
• Event-driven programming makes code less obvious

In chapter 20, the author addresses the topic of performance optimizations. He says that if you try to optimize every statement for maximum speed, it will slow down development and create complexity. Still, if you ignore performance, it is easy to create a system with significant inefficiencies through the code (called the “death by a thousand cuts” scenario). The solution is in the middle, so we design things that are “naturally efficient” but also clean and simple to know which operations are expensive.

iv. All the comments I have seen are worthless

By this the author means that the interface should be general enough to support multiple implementations, even though the implementation only covers what is needed today. Reducing the API to a few general purpose methods instead of many special purpose will do this and make the module deep. An example for an interactive text editor is given, where several functions, like delete, backspace, deleteSelection etc, were replaced by the more general purpose functions insert and delete. This resulted in clearer division of functionality, as well as a simplified interface. Calling out event-driven programming as something that makes the code less obvious (Chapter 18) is an interesting take, that I would have hesitated to phrase as such.

Leave a comment Cancel reply

Any change to the sender usually also requires a change to the receiver. An example is if you add a new exception, and you then also need to add a new entry in an error message table, but the connection between them is not obvious. IEEE Software presents pioneering ideas, expert analysis, and thoughtful insights for software professionals who need to keep up with rapid technology change. The book does leave a glaring gap on testing and how testability and good architecture go hand in hand. I would recommend a book like Clean Code or Working Effectively with Legacy Code to augment the topics written here.

Chapter 19 — Software Trends

If all special cases can be excluded at the beginning, no checks are needed after that. Maybe all the data needed could be combined in a single data structure. The next step is to rearrange the code to be optimized to get as close as possible to this ideal case. A connection with previous chapters is that deep modules are more efficient than shallow, since more work is done for each method call.

This book discusses how to decompose complex software systems into modules that can be implemented relatively independently. The discussion first begins with a fundamental problem in software design, managing complexity. It then discusses philosophical issues about how to approach the software design process, and it presents a collection of design principles to apply during software design. The benefit of using the interface rather than the implementation directly is not very big, so it doesn’t help in reducing the complexity of the system. It is interesting that this is the complete opposite of the advice in for example Clean Code. There the mantra is to use many small classes and methods, rather than a few bigger ones.

Everything that is discussed in the book is at a fairly general and high-level, but it's still very helpful. As developers, we ultimately owe to ourselves to ensure we reduce complexity. The by-product of reducing complexity for ourselves is that we develop better products for our users. Furthermore, when you work in a codebase, you can easily navigate in and out of methods. In these cases, a comment describing what a method does doesn’t help much.

When developing a module, look for opportunities to take a little bit of extra suffering upon yourself in order to reduce the suffering of your users. The simplest chapter abstracting the deeper complexities of what it means! It would also have been interesting if the author had included something about testing and how to write code that is easy to test.

Names should be precise (you usually want to avoid overly-general names likedata), and consistent - if a name is used in multiple places it should refer tothe same thing. If the same name is used to refer to different concepts, then atsome point a reader will be confused, which is likely to introduce errors to theprogram. This is not always bad - the important thing is that each new method shouldcontribute significant functionality. For example, a dispatcher method is apass-through method that can be very useful. Once a codebase gets complex enough, it is nearly impossible to fix, and youwill probably pay high development costs for the rest of its life. I have to be honest, that is exactly how I approached this problem initially.

Event-driven programming makes code less obvious

We can do this by masking exceptions by detecting and handling them at a low level or aggregating them in a single piece of code at a higher level. What we usually see with startups is pressure to build products quickly, which can result in spaghetti code. One of those is to hire great people who like to work with high-quality codebases. In addition, we need to make our development 10-20% slower, and you will get it all back in the future (this also reduces tech debt).

For the benefit of people who already purchased the First Edition, I have made the two new chapters and the comparisons with Clean Code available in a book extract. It may not be worth buying the Second Edition if you already own the First Edition. Overall, I'm largely in agreement with Ousterhout and with your own assessment of his book. With respect, we disagree somewhat about things you question Ousterhout's text. Complexity is anything related to the structure of a software system that makes it hard to understand and modify the system.

And in the best modules, the deep functionality is hidden behind a simple interface. If we think about the most complex problems in Computer Science, there are different thoughts on this. Where you must handle exceptions, you should prefer to handle many exceptionswith a single piece of code. There are two main ways to handle exceptions, each with their owncomplexity. The first is to complete the work in spite of the exception, and thesecond is to report the exception upwards (perhaps also running some unwinding /handling logic).

The author makes a solid case against classitis – the compulsion (particularly in the Java community) to split everything into a new class.

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The author is a professor of Computer Science at Stanford, but he has also spent 14 years developing commercial software. John Ousterhout, professor of computer science at Stanford University, joined SE Radio host Jeff Doolittle for a conversation about his book, A Philosophy of Software Design (Yaknyam Press). They discuss the history and ongoing challenges of software system design, especially the nature of complexity and the difficulties in handling it. The conversation also explores various design concepts from the book, including modularity, layering, abstraction, information hiding, maintainability, and readability. By encapsulating complexity via modular design and making code simple and obvious, like eliminating special cases or using consistent coding styles.

You still often need to check the details of the code to know that your change will be correct. The problem with comments is that they can get out of sync with the code, and that they clog up the code. In most cases, well-chosen names for methods and variables makes comments unnecessary. If the code is so complicated that it needs to be explained with comments, perhaps it can be rewritten to make it clearer.

Book Review: A Philosophy of Software Design

Table Of Content

• Recommendations I don't necessarily agree with
• TDD focuses on features rather than abstractions and design
• Chapter 2 — The Nature of Complexity
• Things that make code more obvious
• Rules of thumb, laws, guidelines and principles

Complexity makes it more difficult for a programmer to understandand change software, it increases the rate of errors, it slows developmentvelocity, and has other negative affects. I agree with the notion that if there are tricky aspects of the code that are not obvious from reading it, then you should write a comment. There are also two good examples on pages 118 and 119 on how to write comments for cross-module design decisions. In the scripting language Tcl that the author created, the unset instruction removes a variable.

Recommendations I don't necessarily agree with

I'm currently engaged in developing a prototype of what is going to be an extremely large software application, which tackles a multitude of complex tasks and issues. As an engineering manager, I strongly advocate and sometimes even insist on designing systems twice or even three times. Note that this is a countrary suggestion to the one from the “Clean code” book of Uncle Bob Martin. Here are some things that I found valuable in this book, and they are located primarily in chapters 2 to 11. You'll end up with a much better result if you consider multiple options foreach major design decision.

TDD focuses on features rather than abstractions and design

The functionality could have been provided by just one such class, reducing the boilerplate code needed. Furthermore, commonly needed features, such as buffered I/O, should be the default behavior, with extra parameters or setup only needed when it isn’t the common case. A Philosophy of Software Design is a well-written book with many good and practical ideas on how to reduce complexity to make systems easier to understand and work with. There are good examples illustrating the various techniques, and the writing is clear and concise.

Chapter 2 — The Nature of Complexity

A larger service that is cohesive results in less complexity than several smaller services, manipulating the same data source. But by splitting into new classes, you’re driving toward shallow modules. My own thought on this is that in order to write and work with high-qualitycomments, you need to be at a certain level of fluency.

An example is from the text editor, where sometimes text is selected, sometimes no text is selected. Using a boolean to explicitly keep track of if there is a selection or not leads to lots of special handling. Instead, if you allow an empty selection of zero characters, there is no need for special handling. It is compact and short, only 170 pages, so it is a quick read, but it contains many good ideas. The focus is on how to structure systems to make them easy to understand and work with.

This modular approach promotes reusability, scalability, and ease of maintenance. Additionally, adopting the principle of separation of concerns allows developers to isolate different aspects of the software, ensuring that each module focuses on its designated responsibility. A fundamental principle of software design philosophy is simplicity. Keeping software designs simple and minimalistic helps in reducing complexity, improving readability, and enhancing maintainability. By avoiding unnecessary complexity, developers can create software that is more manageable, adaptable, and less prone to errors.

John argues that exceptions introduce one of the worst sources of complexity and advocates for writing code that needs no exceptions to run. This is a section that seems to build on John's own experience, and him analyzing Windows APIs and does not bring classroom examples. Software design philosophy emphasizes the importance of designing software with flexibility and extensibility in mind. Building software systems that can adapt to changing requirements or accommodate new features is crucial for long-term success. Developers achieve this by designing software with well-defined interfaces, using design patterns, and applying modular and decoupled architectures. Flexible and extensible designs allow software to evolve and grow without requiring significant rework or disruption.

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The chapter ends with a good example from the RAMCloud system, where this thinking is applied to buffer allocation code, for a speed-up of a factor of two for the most common operation. Finally, also somewhat related to deep modules, is the idea that different layers should use different abstractions. For example in TCP, the top level abstraction is that of a stream of bytes. The lower level uses an abstraction of packets that can be lost or reordered. If adjacent layers contain the same or very similar abstractions, perhaps they should be combined to create a deeper module. A sign that this is the case is that there are pass-through methods – methods that does little more than calling other methods with the same or very similar signatures.

Rules of thumb, laws, guidelines and principles

Fundamental optimizations typically obtain the most significant optimization improvements. For instance, it can modify the data structure or algorithm or add a cache. To optimize the code and come as near to this ideal condition as feasible, the next step is to reorder it. In Chapter 11, the author considered a perfect way of thinking about designing software, and that is trade-offs. It is doubtful that you will produce the best design from your first thoughts about it, but it would be much better to have multiple options to choose from and analyze which one is the best for your case. Event-driven programming makes it hard to follow the flow of control.

This is my summary and notes from A Philosophy of Software Design, 2nd Edition by John Ousterhout. Please use the link if you decide to buy the book after reading this as it contains my affiliate code. This doesn't mean that there is no use-case for event-driven programming, butcare should be taken to mitigate this complexity.

In this article, we explore the philosophy of software design and its importance in the development process. Each piece of design infrastructure added to a system, such as an interface, argument, function, class, or definition, adds complexity, since developers must learn about this element. In order for an element to provide a net gain against complexity, it must eliminate some complexity that would be present in the absence of the design element.